Surface and Apparition: the Immateriality of Modern Surface

I’m very pleased to be included in this volume, edited by Yeseung Lee. More details and reviews here. Great chapters across many disciplines. I look forward to reading them all.

Surface and Apparition: the Immateriality of Modern Surface

I’m very pleased to be included in this volume, edited by Yeseung Lee. More details and reviews here. Great chapters across many disciplines. I look forward to reading them all.

RELATION

I gave a short talk and presented a slideshow of images at the RELATION research day, organised by Sarah Hayden for the Centre for Modern and Contemporary Writing (University of Southampton English Department) on 21 January 2020.  View the slideshow

RELATION

I gave a short talk and presented a slideshow of images at the RELATION research day, organised by Sarah Hayden for the Centre for Modern and Contemporary Writing (University of Southampton English Department) on 21 January 2020.  View the slideshow

I gave a talk at Tate Modern

As part of my involvement in Winchester School of Art’s ‘Itinerant Objects’ programme at Tate Exchange, I gave a talk on Jenny Holzer’s Artist Rooms exhibit. Focusing mainly—but not entirely—on Holzer’s ‘truisms’, I took the theme of ‘information as art’,

I gave a talk at Tate Modern

As part of my involvement in Winchester School of Art’s ‘Itinerant Objects’ programme at Tate Exchange, I gave a talk on Jenny Holzer’s Artist Rooms exhibit. Focusing mainly—but not entirely—on Holzer’s ‘truisms’, I took the theme of ‘information as art’,

S L I P at Tate Exchange

S L I P was a  participatory artwork that I devised for Winchester school of Art’s ‘Itinerant Objects’ programme at Tate Exchange, on the fifth floor of the Blavatnik Building at Tate Modern, 5-7 April, 12-6pm. The project came directly out

S L I P at Tate Exchange

S L I P was a  participatory artwork that I devised for Winchester school of Art’s ‘Itinerant Objects’ programme at Tate Exchange, on the fifth floor of the Blavatnik Building at Tate Modern, 5-7 April, 12-6pm. The project came directly out

Office Truisms in Neural #61

My series of Office Truisms, the postcard versions that I first designed for the Archaeologies of Media and Technology (AMT) research group, are featured as an extra in the wonderful Neural magazine, with a postcard  placed against its position on a holding graphic

Office Truisms in Neural #61

My series of Office Truisms, the postcard versions that I first designed for the Archaeologies of Media and Technology (AMT) research group, are featured as an extra in the wonderful Neural magazine, with a postcard  placed against its position on a holding graphic

FRICTION

I gave a talk a couple of weeks ago at the Centre for Modern and Contemporary Writing’s Friction-themed day (English Department, University of Southampton, convened by Sarah Hayden). I spoke about readability and ‘thinkership’ in conceptual art and poetry, and

FRICTION

I gave a talk a couple of weeks ago at the Centre for Modern and Contemporary Writing’s Friction-themed day (English Department, University of Southampton, convened by Sarah Hayden). I spoke about readability and ‘thinkership’ in conceptual art and poetry, and

Two performances at John Hansard Gallery

Walter van Rijn and I will be delivering two performances at the John Hansard Gallery in Southampton in October. The first on Thursday 4 October, 6 pm to 8 pm, the second on Saturday 27 October, 2pm to 4pm. These

Two performances at John Hansard Gallery

Walter van Rijn and I will be delivering two performances at the John Hansard Gallery in Southampton in October. The first on Thursday 4 October, 6 pm to 8 pm, the second on Saturday 27 October, 2pm to 4pm. These

X marks the Bökship

I worked with Sunil Manghani to give a presentation and deliver a workshop at Flat Time House in Peckham, South London, former home and studio of the artist John Latham. The house is now a gallery and education space dedicated

X marks the Bökship

I worked with Sunil Manghani to give a presentation and deliver a workshop at Flat Time House in Peckham, South London, former home and studio of the artist John Latham. The house is now a gallery and education space dedicated

Translate and Describe is out!

I’m very proud to have an essay in Amodern 8: Translation–Machination, edited by Christine Mitchell and Rita Raley. My essay, ‘Translate and Describe: Archive-Based Image Description as an Intermedial Translation Technique’, maps the relationships between two forms of information processing: direct (literal) translation

Translate and Describe is out!

I’m very proud to have an essay in Amodern 8: Translation–Machination, edited by Christine Mitchell and Rita Raley. My essay, ‘Translate and Describe: Archive-Based Image Description as an Intermedial Translation Technique’, maps the relationships between two forms of information processing: direct (literal) translation

Apparition

On 9 March I’m taking part in the symposium APPARITION: the (im)materiality of modern surface at Leicester De Montford University, organised by Design Cultures (De Montfort University) and Fashion Research Network. WSA’s Jussi Parikka is delivering the Keynote and I’m

Apparition

On 9 March I’m taking part in the symposium APPARITION: the (im)materiality of modern surface at Leicester De Montford University, organised by Design Cultures (De Montfort University) and Fashion Research Network. WSA’s Jussi Parikka is delivering the Keynote and I’m